Ming & Ping

MP2

Omega Point Records

www.mingping.com

Though it’s been almost 16 years since the end of that particular decade it would seem that the 80’s are still alive and well: VH1 has just shown their third incarnation of their popular “I Love the 80’s”; Cyndi Lauper, New Order, and Depeche Mode have all released new albums this year while former chart-toppers INXS starred on a reality show in order to replace their former singer before attempting a comeback this November; meanwhile, these same groups have inspired bands like Interpol, Franz Ferdinand, The Kaiser Chiefs, The Bravery, The Killers, and The Faint (and various other “The” bands) who all wear their influences proudly on their sleeve;. If ever there was evidence that pop culture is on a 20-year cycle this would be it.

Which brings us to Ming & Ping: San Franciscan (by way of Hong Kong) twin brothers that make polished pop music that plinks and beeps just as well as anything that came from the 80’s. The group is keen enough to include some modern flourishes to keep the music fresh and current while maintaining that retro feel throughout. There are some tongue-in-cheek moments as well, such as the riff from the “Super Mario Bros.” hat opens “Concretelike,” or “Splendid” (I have to believe that the line about “jasmine in the morning” is too cliched not to be intentionally cheesy).

However, for as much as Ming & Ping display their love of synth-pop, their strongest moments on the CD come when they veer to the more contemporary sound of electro-clash (“Shenzhen Speed”, “(This Is) The Dream of Electric Sheep”). This could come in handy when the retro bubble eventually bursts and these brothers need a direction in which to focus their music.

Ultimately, this is one CD that can be judged by its cover: herein lies psuedo-80’s synth-pop, and just like the decade that they love so much, Ming & Ping offer plenty of style but little substance.


Key Tracks: "Shenzhen Speed";"(This Is) The Dream of Electric Sheep"

Copyright © Michael A. Diaz; Original review from TheGreatNothing.com